A glimpse into Manz's Copenhagen studio, known as 'Tegnestuen' in Danish revealed a creative space filled with joy, doubts, and moments of clarity. Reflecting on her studio's work, Manz points out, "Often the path to the clear and final design is quirky and seemingly messy but it follows methodical work, intuition and meticulousness."
The exhibition showcased a series of new objects inspired by Japanese atmospheres, behaviors, traditions, zakka household objects, crafts, and flea market discoveries. In the section titled 'Måltid' or 'Shokuji,' the setting of a table for daily meals became a significant marker of traditions and culture. Manz emphasized the universality of utensils, challenging labels like 'certainly Japanese' or 'certainly Danish.'
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